Mel Tackles Literature

Monday, September 28, 2009

I don't like the coinage of 'FML'.

When people add 'FML' to their complaints, I don't doubt that they are going through a difficult time. They are obviously voicing that for a reason. Yet I cannot begin to believe that a life is truly "fucked" unless one is in a serious hole that he or she can't seem to dig out of.

I have been to the moon and back of ups and downs in my life, many downs, and ups that have been rewarding. I thought of this year as one of the most rewarding years of my life. I put together an amazing senior portfolio for my final semester. I was the co-head editor of the Northridge Review. I graduated college. I got into grad school. I got a short story published in a Filipino-American literary magazine. I got my first real job three months from graduation.

And that is what brings me here. Somehow, these upward trends in the graph of my life only suppress the things that makes me fall to the floor and brings me to tears. One wrong move, and my depression comes running back to me, always present, always with me, like a ghostly reminder that something is never going to be right...unless I fix it.

So I thought things like that I had listed above would fix me, but it only made things worse.

Am I that spoiled, that I'm never satisfied, that I always want something more? That I should be grateful to even have a job during these times? I swear I'm grateful, but to wake up every morning to tossed aside like sludge on a sidewalk, while I write profiles for septic tanks and air conditioners is not my idea of an experience where I can learn and grow at work. I have learned a great number of things while at work, however, concerning office culture. And the job has taught me a lot about other towns, and I've even got a few places in mind that I might want to visit someday.

But it's so hard to feel motivated in such a limiting environment.

For the past two years, I've been in the cocoon of CSUN's English program, where the world was far and wide, and we were free to roam, imagine, think, play. We were encouraged to push boundaries--no--kick them down and trample over to the untouched side. I thrived in that environment, I did so well. I was free.

And then...I sold my soul because I thought it was the right thing to do. I sit at a desk in a room with fake air, hoping for someone to talk to me, and wondering if gouging my eyes felt better than torture of complete lack of brain stimulation. Do you wonder about caged animals? The lions at the zoo, pacing back and forth? They're bored. They are not in the world they belong. And that's what I am.

My life at home has suffered. I get into fights with my dad, and my brother, when I don't mean to. I shouldn't push the people away who have done their best to help me even with all the bullshit. My car is broken, in case I forgot to mention, and it has been broken for over a month. I'm terribly lonely and I miss all my friends, yet I push people away, time and time again, especially when I'm depressed. No one wants to talk to a pessimist.

Soon, my contract will end, and I can go back to the life I want to lead. I've had the taste of the commute, the corporate atmosphere, the office politics, and I don't want any of it. Never, ever, ever again.

It's the same old emo shit out of me, isn't it? I'm sorry. I have nowhere else to turn.

Friday, September 11, 2009

Found My First Book (Novel Attempt?)

I just found the first novel/book I wrote that I wrote around the ages of 9 to 12, perhaps. It's called The Triple D Mortuary and Graveyard. HA! Emo much? I read a lot of R.L. Stine at that age... :/

And in this story, a 10-year-old boy named Tim who is fascinated with graveyards receives a ghostly visitor. In the cemetery by his home, he finds the grave of his father. He never knew much about his father, barely knew his name. His mother never explained much, and she was a coarse lady, not very nice to Tim.

Late one night, when he's visiting the cemetery, a ghostly spirit appears to him and then later appears in his home. This frightens Tim terribly, and he's afraid that he's disrupted the status quo of the cemetary, for whatever reason.

Along the way, he meets his sidekick while visiting the cemetery at night. The sidekick turns out to be Clint Eastwood, who becomes a father figure to Tim. He also helps Tim figure out how to shake the white demons that follow him.

Somewhere along the way, the story twists and Tim and Clint become separated. This is when the writing gets particularly hazy (I might have been 11 or 12 at this point). He steps into a house, where, in an almost Nabokovian (though I didn't know it was Nabokovian at the time!), Lolita-esque way, a young girl coaxes him to have sex with her. She's being coy, she's being cute.

And then the story ends because I was probably either too shy to write sex or develop the story further. It's kinda odd, random. And goes to show that even kids at that age think about sex. It's unsettling, perhaps. Maybe a little disturbing, too...LOL But ya know, we writers are disturbed people. Edgar Allan Poe, ya know?

That is all. LOL. Thought it was interesting.

Sunday, August 30, 2009

Red Sun Morning: The Last Week in Retrospect

A sun-themed blog today...

I pretty much stuck to the schedule (from "Persevere, Clare") but there was one hitch in the entire ordeal and that was that my car broke down. On Tuesday night, I was driving home from CSUN and somewhere in Sun Valley (an area I'm not familiar with, and very shady-looking), the smell of something funky began surrounding me. I wondered if it was my car, but deep down, I knew it was my car.

I had made it home, at least the exit of the freeway near my place, and that's when the car shut down. It shut down like a Windows platform. I was burning pure oil in that car.

The combination of the terrible triangle of a commute, the hot weather, and the fact that that car has been giving me problems since the beginning of time caused the, quite literal, burnout. I wasn't even in a foul mood when it happened. I was just tired. I wanted to sleep.

Thank goodness for weekends, though, as they give one the time to recuperate. Although, this weekend started off just as stressful, what with Jen Ni and Mi Ra Flo leaving (that's Jenny and Myra, lol) and Saturday being an overall bad day. I won't go into that.

Oh yeah, didja hear about the fires? There are evacuations going on right now in the Glendale-Tujunga-La Crescenta-Pasadena area, because of the brush fire in the Angeles Crest that firefighters are having difficulty containing. It's very serious.

I remember a year ago when I posted some diddies about the fires in the valley. Man, it happens every year. Oddly enough, even though I'm close by these fires, I haven't smelled much smoke or ash. The overall heat doesn't help much, either.

Through the smoke in the early morning, the sun is a tiny red dot worshiped by the smoke clouds. It is something awe-inspiring but only occurs in times of disaster. The red sun is altogether beautiful and ugly, frightening and gorgeous, a symbol of how relentless and unforgiving nature can be, but so utterly pure that one cannot help but be stunned by the rare treasure in the sky.

:|

Wednesday, August 26, 2009

Free Write: Monkey

I want to move to fucking Montana, or someplace like that. Away from the fucking high-rises and the gas leaks of these crowded streets. I tire of the talk of insipid wisdom that means nothing, except laughing and soaking in the awesomeness that you have created, that you will pat yourself on the back for. Why is it the main priority is to make cash, cash, cash at any expense?

"Let us produce. Let us be metropolis," the high rises will say. "We will give you the luxuries you seek, but while you do so, please hold this wrench, my monkey, my tiny cog in the conglomerate machine."

In 2009, smiles are bought in the form of bubble-wrapped packages masquerading as mementos. Make your pay, have it taken away, and the rocking uncertainty evens out while you hope to find something worthwhile in the wreckage.

I keep fucking up left and right because I'm a softie pushover. I am the cog with a slight deformity, forced into the gears, teetering between "certainly sure" and "out of my mind."

"Hold this wrench, monkey," high-rises say, and I oblige.

I oblige so that I can buy books.

Sunday, August 23, 2009

"Persevere, Clare."

The title of today's post comes from the novel, The Time Traveler's Wife, by Audrey Niffenegger. It comes at a point where, the protagonist, Henry DeTamble (the time traveler) and Claire Abshire (the wife) are going through a stressful time in their marriage. Here is the excerpt from said piece (don't worry, I won't give anything away):

"How are you?" I ask.

"Terrible," she says softly. "Tired." I remember. Stayed in bed for weeks. "Henry, I quit." She watches me, trying to gauge my reaction to this, weighing her intention against my knowledge. "I give up. It isn't going to happen."

Is there anything to stop me from giving her what she needs? I can't think of a single reason not to tell her. I stand and rack my brain for anything that would preclude Clare knowing. All I remember is her certainty, which I am about to create.

"Persevere, Clare."

"What?"

"Hang in there..."
And then he goes on to explain why she should stop worrying, and that all her pain and frustration will soon become worthwhile, turn into something beautiful.

Now, I don't have a Henry DeTamble to tell me that everything will be okay. I'm a solo act, and have been for a while, which I don't mind as I'm quite comfortable. But I am at that point in my life where I have a slight bit of uncertainty, frustration, stress, and worry.

I started a new job two weeks ago. I work full-time in West Hollywood. What? English majors can get jobs, really? This must be a milestone. No, in all seriousness...I started a full-time job that I'm not particularly fond of. I'm not going to complain or vent about it, because it's going to be hard to explain why. I'm aware that in this economy, I can't afford to be so picky and spoiled. I'll ignore that ill feeling in my stomach when I think about my job and my commute because I need to remember that it could be worse. It really could be worse.

Romeo said to Juliet, "All these woes shall serve for sweet discourses in our times to come."

Meaning that right now, I'm frightfully unhappy (well, was never 100% to begin with, anyway. Not yet at least.) and I feel ill when I think about going to my job, but I'm going to suck it up. I'm going to try.

Because, if you recall, I am also starting grad school. I am taking two classes:
ENGL 457 International Literature
T 7:00-9:45 pm

ENGL 652 Creative Writing Studies
Thurs 4:00-6:45 pm
This week is the first week of school, in fact. I'm going to devise a plan for organization and will post it here so I will have a written document of what I will be doing. Hopefully, if it's in writing, I will stick to it.

I work in West Hollywood. I go to school in Northridge. I live in Eagle Rock.

Now, in any other town, these distances aren't so bad. It would take me 20 minutes to drive to each destination, easy. However, this is Los Angeles we are talking about and I have drivento all three in one day, during the times I need to be at any given location and I will be traveling at peak times. I will need to be released from work early on Thursdays to be in Northridge before 4. My boss is aware of this, but has not worked out how I can make up the hours. So I will hypothesize what I might do.

Here is what I propose for this coming week 08/23-8/30, as well as a sample outline of what I will attempt to accomplish through 11/10 (when my contract at my job ends):

Sun, 08/23
8:00 pm - have clothes laid out, ironed, lunch packed, gym clothes packed, water canister filled, complete 400-level course approval form
9:00 pm - finish reading for ENGL 457 (syllabus was online, so I could start reading right away)
9:30 pm- attempt to sleep

Mon, 08/24
5:00 am - wake up
5:05 am - snooze
5:30 am - really wake up, shower
6:00 am - breakfast, coffee, get ready
7:00 am - leave for work. 2 South, 101 North, exit Sunset, until I hit West Hollywood
7:45 am - work. I will try to write 3 pieces of content for websites an hour, for a total of 15 a day.
12:30-1:30 pm - lunch
4:45 pm - release
5:15 pm - drive to Northridge. Sunset, left on Laurel, right on Hollywood, left on Highland, 101 North, 170 North, exit Roscoe Blvd, west on Roscoe until Reseda Blvd, R on Reseda towards CSUN
sometime between 6-7 pm - EAT
7:00-9:00 pm - grad program orientation
9:30 - Glendale, gym
10:45 - home, then collapse

Tues, 08/25
Much the same as Monday, substitute grad program orientation with ENGL 457IL

Wed, 08/26
Day is much the same. No class.
6:00 pm- Hollywood, gym
7:00 pm- dinner, homework, reading
8:00 - sleep in early

Thurs, 08/27
Day is the same.
2:00 pm - end work. drive to Northridge.
4-7 pm - ENGL 652
7:45 pm - Glendale, gym
9:00 pm - home, collapse

Friday, 08/28
Day is the same.
5:00 pm - end work, go home, get ready for my Friday night when I will say goodbye to Jenny and Myra, and celebrate Lainey's birthday

Saturday, 08/29
Happy birthday, Lainey!
Some time in the afternoon, drive to Northridge for Northridge Review business.
Make up the lost 3 hours from work...somewhere?
Homework, reading.
Evening: open to festivity

Sunday, 08/29
Sleep in.
12:00 pm - personal training session
1:00 pm-? Northridge Review business
Homework, reading.
9:00 - sleep

Rinse and repeat roughly the same way, minus the extra drive to Northridge on Monday.

Does anyone have advice for me to plan this better or...words of wisdom? Any help would be useful. :) Somehow, none of this could even compare to moving across the world to Korea, though, like two (and soon a third) of my friends will soon be doing. :)

Saturday, July 18, 2009

Musings, Updates, and the Unclear Future

On a whim, I applied to CSUN's MA program. I had much encouragement from my professors and classmates. One--because I truly think that these people believed that I could succeed in grad school. Two--I still felt I had much to learn about my writing: the art, the literary value, and the theoretical approaches of it. I know many people think it's crazy, to go the same undergrad for grad, but I have only been at CSUN for two years and only spent about half the time truly concentrating on creative writing.

For me, this is simply a continuation. I will continue to grow as a writer in this time. Grad school will be a challenge, but I feel that it would be more on my level. I enjoy a challenge myself. I'm ambitious. In undergrad, I always liked to go the extra mile just so I could not only test my boundaries, but also so that I could set myself apart and show that I have merit. Something beyond the workshop story, but an actual literary and artistic piece that may be perhaps be a cut above, or a potential contender for greatness.

With that said, I am accepted as a conditionally classified student. I am enrolled in one class, but it's a 400-level undergrad creative writing class. O.o I haven't been able to register in any grad classes because (and here's why I mentioned I applied on a whim) I applied so late, so last minute that by the time I was able to register, all the classes were full. Now it is time to do the sit-in, beg, plead, and hope for an open spot somewhere.

In other news, I have had a short story accepted for publication. Tayo Literary Magazine is up-and-coming and is geared towards Filipino-American youth empowerment. I think it's great that this magazine coming up. It's great to read literature, see photos and artwork by Fil-Am youth. Somehow, I think that Filipinos in the arts are rarely highlighted. We exist. We are there. This magazine, though it is still fledgling, is a novel (no pun intended :P) idea because it showscases Filipinos in a way, that perhaps prior, we haven't been seen before. I'm proud of the beliefs of the editors of the magazine, what it stands for, what it is doing for the community.

In other editorial news, perhaps I've not mentioned this, but I am the co-head editor of CSUN's literary magazine, The Northridge Review for the Fall 2009 issue. We are nearly complete with the magazine, and are expecting to have a release early in the upcoming semester. :D

Now for the future. I'm not sure what will happen within these next two months. Two friends of mine have thrown a curveball into my life. They are going to Korea to teach English, as part of a special program. I'm excited for them and I want them to succeed, especially because not only is an excellent opportunity to travel, immerse into another culture, and on a humanitarian note, to teach children...but it's also a great alternative to being thrust into the capitalist real world that we call an economically faltering America. I won't lie and say to myself that I applied to grad school so that I could postpone diving into the real world because I couldn't find a job. (However, this is a topic I will further elaborate on, in terms of my longer-term future goals) I can't even get hired at Barnes & Noble, for crying out loud, despite the fact that my resume is looking pretty good now.

In any case, Myra and Jenny, are off to Korea within the next two months, and they will fulfill a year's contract to teach. They are two of my closest friends and I will miss them terribly.

And so they are persuading me to go to Korea and teach as well. -_-

Now this is going to be tricky. Stay tuned...

Saturday, May 23, 2009

I'm Finished

Aha! My snobbery has faltered in these last few weeks, as I hadn't bothered to keep up the blog. This is mostly because last semester was immensely more exciting than this spring 2009 semester. Honestly, last semester I chased an unrequited crush, understood the importance and connection between literary theory and film, and wrote some of the best pieces of fiction that I had ever written in my entire life (up until that point, anyway).

The time has come to announce that I have finally graduated from college. I have that elusive baccalaureate degree (technically, in about four to six weeks, I'll have it!). The question that comes to pass is: "now what?" Shall I decorate my cardboard box to live in? A true artist would do so to stand out from all the other boxed artists lined up in our makeshift Hoovervilles bred from doe-eyed dream-chasing.

I chose to follow my passion. In these bleak contemporary mindset, which is quite often, mocking and cynical, some would question a student's sanity for even daring to go towards a direction that had no guarantees. What I see from that, rather, is character. If someone even has the gall to dare, then I applaud that person. This is a person who believes in passion, wants to shape him/herself into being well-rounded, one who yearns for artistic and/or intellectual pursuits, and wishes to experience the best of what life has to offer. Whether that be travel, helping and teaching others, entertaining, or to be daring for daring's sake, then that's beautiful.

Let us begin quickly with a short journey and what I have/have not accomplished. I am writing this mainly to humor myself, and so that I will have something to look back upon when I think of my last two years of college.

My first creative workshop at CSUN, which was approximately one year ago during a summer session, I had been grappling with the ideas and concepts of creative writing and the literary theory behind it. I didn't realize there were terms that writers needed to be conscious of. I just wrote and mimicked what I had read in books. I also visualized what I wanted to write, playing it through my mind like a scene in a movie that I would try to regurgitate in words. I hadn't realized that creative writing was much more than copying what authors wrote in books or trying to describe the movie in my mind. That, like anything, I had to break it down with fundamentals.

The professor said to us on the first day of class, "I want to unsettle you."

One of our first exercises was to write one sentence--only one--and begin building on it. It was called Burrowing. From the prof's assignment:

I had become a sentence-thinker, my whole process of writing transformed from a hard, weird struggle to describe a set of fixed ideas floating somewhere, as it seemed, inside my head, to one in which the ideas grew out of the writing in the moment of its coming into being. Charged by their own imperative and grace, they seemed to unfold as if out of the sentences themselves. This is not some literary mysticism. It is how language works, what it is.
WTF right? I was definitely un-freaking-settled the entire time in that class. She said the exact same thing I had written above (except more academic-y). This way of thinking about writing felt unconventional (yet seemingly natural and 100% conventional at the same time!). If you think about it, we do not have premeditated conversations planned in our head. When we interact with one another, or even when we think, we jump from one sentence or thought to the next. It's spontaneous.

So take one sentence. Here, I'll write one right now: She liked roses best, but only in the coldness of winter.

What should come next? Anything! And this lesson taught me how to truly write. When the words fall freely on the page, one after the other, in a completely mellifluous way, there is such rhythm and cadence that gives the writing a natural flow. Nothing will seem forced or contrived. If I never remembered another creative writing exercise, I will still always remember this one because it has shaped my writing for good.

Next sentence: The winter concealed her with its gray shadows.

Now the writer has raised all these questions. Why only roses? What's the significance of the gray shadows? Who's "she," and does she have a name? Thus, a story unfolds, easily placing layers and complexity into the narrative naturally, without trying too hard or forcing it.

So...what was the point in all of this? Well...basically, I was trying to brainstorm ideas for writing my Statement of Purpose for grad school, and it turned into this half-teaching, half-reminiscing session about one of the most awesome lessons ever learned while at CSUN. LOL. :)