Mel Tackles Literature: November 2008

Sunday, November 23, 2008

Sarah Palin Interview & Slaughtered Turkeys

In her home state of Alaska, a pardon was passed for the turkeys this Thanksgiving and Gov. Sarah Palin was stopped for an interview, gleaming brightly with a Burberry scarf wrapped around her neck.

You know, I love all things Palin (sense the tone) and this is just so irresistibly ironic, I had to share. :-|

Saturday, November 22, 2008

I Ate Vegan

I am prepared to take the verbal hits and blows that may come my way when I say that I ate and enjoyed vegan food. This is what happened. (copied from my review on Yelp!)



My brother and I happened upon this place while strolling through the neighborhood after a run at the Silverlake Farmer's Market. He's a newfound vegetarian, for health reasons, and I am not. Though, I could be if I wanted to...but...well, I am a human who surrenders to temptation, guilty as charged.

I was a little reluctant to eat here, because the word "vegan" struck fear and horror in me. I envisioned frou-frou tofu atop raw pieces of dough and bland tomato sauce. You know, because I was an ignorant fool. However, I pride myself in being open-minded and I was willing to take the plunge. Besides, my poor brother finally found a restaurant that catered to his very strict diet and I felt obligated to compromise.

We came in for brunch and he had the breakfast burrito with a side of fruit. I had the buckwheat blueberry bliss pancakes with a side of breakfast potatoes. My pancakes certainly were bliss. They had an interesting texture--crispy around the edges, but the center was as fluffy as any old American flapjack, with a few walnuts tucked into the cake. The blueberry topping tasted fresh. I was given a small ramekin of soy butter, which I kid you not, tasted and melted as real butter. I didn't miss cow butter at all! They didn't give me a ton of syrup, but for some reason, I didn't feel compelled to drown my pancakes in the syrup, as one normally would. I wanted the pancakes to speak for themselves, and they certainly did.

Everything here is natural, free of chemicals and artificial sugars. The food tastes so good, that any non-vegan can waltz in here and seamlessly enjoy a meal without missing a single beat of their own daily fare. I definitely recommend!

And take a home a chocolate cupcake. Oh, it was divine!

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Yes. This is a good vegan place. Vegan food isn't just plain raw veggies and dip. I didn't realize that I could have my cake and eat it, too. And you know something, I'm really proud of my brother, because he's finally taking control of his life and his health. Now I wish I could say the same for me, but um...well, I still like meat.



Oh and! I also saw Pazza Gelato, a gelateria that Giada di Laurentiis featured on her show, Giada's Favorites, which made me very excited because I love Giada...

Monday, November 17, 2008

Five Minutes of Film: Gone With The Wind



In the finale of the film, Gone With The Wind, the forlorn protagonist, Scarlett O’Hara comes to an ultimate realization. Everything that she has worked for, the strife and hardship means almost nothing when she loses the true love of her life, Rhett Butler. The final scene is one of the most groundbreaking and memorable endings. It is also has its place in controversy. Rhett utters the line, “Frankly my dear, I don’t give a damn,” which had censors in the 1930’s wringing their hands in protest. Such things were not said before a Depression-era crowd, for it was considered offensive and vulgar. The studio that produced Gone With The Wind had to pay a fine to keep the line in the film. Not only does this scene depict Scarlett’s determination and exceptionalism, it also represent the ultimate defiance in the societal standards of its day.


(I can expand on this, but I could honestly talk about GWTW all day. I'm sure you don't want to hear my drivel...)

Thursday, November 6, 2008

The Happiest Place on Earth? Response Paper ENGL 312




As technology and the means of production increase and evolve, modern society now has greater access to everything. From pornography to exclusive art galleries, grape juice to vintage wine and everything in between is available at our disposal. Directly due to the advancement in quicker communication and discoveries in scientific research, mass production enables us to have all the commodities we need. Does all this easy access come at a price? In exploring the novel, Fahrenheit 451, by Ray Bradbury, it is apparent that having things quickly and easily affect the way people feel, act, and think.

We will begin by addressing the premise of Bradbury’s story. The protagonist, Guy Montag, is a firefighter, whose job is to burn all the books that he and his fellow firefighters find (58). This is what firefighters do in the world of Fahrenheit 451. They are not the heroes people usually associate them as, but as mediators of the so-called peace and sanctity of the culture. Montag then meets people that change his mind about the life he’s living and the world around him. He starts questioning everything. He is having a personal quest to find the truth. It is interesting that he finds dissatisfaction with his life. Chief Beatty is Montag’s superior at the fire station, and he says bluntly:

People want to be happy, isn’t that right? Haven’t you heard it all your life? I want to be happy, people say. Well, aren’t they? Don’t we keep them moving, don’t we give them fun? That’s all we live for, isn’t it? For pleasure, for titillation? And you must admit our culture provides plenty of these. (59)

Essentially, Beatty means that the firemen’s job is mass production. Burn the books, abolish philosophy, complicated thought, and reason because it doesn’t make people happy. If one person knows more than the other, they are not on equal playing ground, which is discouraging for the lesser.

Mass production, in this case loosely defined as making something rapidly and efficiently for all to consume. Philosopher Theodor Adorno, comments about mass production in relation to art: “The stunting of the mass-media consumer’s powers of imagination and spontaneity does not have to be traced back to any psychological mechanisms; he must ascribe the loss of those attributes to the objective nature of the products themselves.” If we are given poor quality entertainment or taught with a lack of substance or intelligence, then our imagination and creativity suffer. In Fahrenheit 451, the mass production of happiness and equality tries to permeate in all aspects of life. People now want instant gratification. This comes in the form of abbreviated television shows, movies, known as “parlor” television or family (Bradbury 82) and pills for sleeping, waking up, and every ailment in between (Bradbury 43).

There is a memorable scene in the film version of Fahrenheit 451 where Montag’s wife, Linda (Mildred in the novel), overdoses on her pills. Montag is distressed and tries to call for emergency help. The emergency line answers nonchalantly, asking him what color the pills are. They come in simple colors like white, blue, and yellow. Then two technicians come to Montag’s house and pump her blood with a machine, which will revive her and they simply shrug it off as routine procedure. What is interesting is how simple the pills are—basic colors—and a doctor does not come to check on Linda. The technology is simultaneously advanced and primitive. Everything is done at a fast pace. Interestingly, why does Linda feel compelled to take so many pills if everyone’s lives are meant to be happy? This is far from a picture of happiness.

Book-burning is the cornerstone of Bradbury’s novel. To burn books is to burn thought, ideas, imagination, creativity, inequality, and suppress revolution. Beatty says that books encourage inequality because, “Bigger the population, the more minorities. Don’t step on the toes of the dog lovers, the cat lovers, doctors, lawyers, merchants, chiefs, Mormons, Baptists, Unitarians, second-generation Chinese, Swedes, Italians, Germans, Texans, Brooklynites Irishmen, people from Oregon or Mexico” (Bradbury 57). This is all in hope that equality will mean contentment for all. However, the scene where Montag and the firemen burn a woman with her books is an example of how much they affect people. She is so attached to her books; she is willing to die with them. She strikes the match herself and the entire house ignites around her. (Bradbury 36-40) The old woman finds her happiness, not in the parlor television screens, or in simple entertainment, but from her books. She rejects her own society. This is echoed here: “The culture industry did away with yesterday’s rubbish by its own perfection, and by forbidding and domesticating the amateurish, although it constantly allows gross blunders without which the standard of the exalted style cannot be perceived” (Adorno & Horkheimer). Therefore mass production borrows from its former elements and churns out low-quality results for all to consume. This explains the old woman’s attachment to her books, her need for something deeper and meaningful, and Montag’s disillusionment with society.

Today, mass production is meant to deliver the things used every day to people in the fastest way possible. The assembly line and the quick communication are optimal for saving time and money. However, it is apparent that mass production of happiness or art, things that are abstract or ambiguous suffer from the exchange. Ray Bradbury’s novel, Fahrenheit 451, gives a glimpse into a society where everything is instant and devoid of thought and imagination. The philosophies of this world have good intentions: to create equality for all. However, equality does not automatically translate to happiness or satisfaction. Rather, the people are vapid, find nothing meaningful, and in the case of Montag, are on a search for fulfillment but never seems satisfied. One cannot produce results or happiness with the flick of a switch or by popping a pill. It comes from within—from a functioning mind.



WORKS CITED

Adorno, Theodor and Horkheimer, Max. “The Culture Industry: Enlightenment as Mass Deception.” Dialectic of Enlightenment, 1944. CSUN WebCT.

Bradbury, Ray. Fahrenheit 451. New York: Ballantine, 1953.

Fahrenheit 451. Dir. François Truffaut. Perfs. Julie Christie, Oskar Werner, Cyril Cusack. Universal Pictures, 1966.

(Pictures come courtesy of googling images).

Also...Prof. Wexler, I'm sure you know, but just in case, anything written for your class has the label, "english 312" on it. You can just click on the label and it will all be on one page for you.

Tuesday, November 4, 2008

This Is the Future



Not so dystopic now, are we?

<3

Monday, November 3, 2008

408 story: In Circles

Here's a silly story, from an exercise we had called "The Sky's the Limit." You and a partner write one sentence, something that's really out of the ordinary. Take for example, the first line of Franz Kafka's Metamorphosis where a man wakes up as an insect. Then you and the partner trade the sentence and write a story about it. This is what I came up with. Comments, criticisms, outright bashing are all right! Stealing is not.

IN CIRCLES

She stared at it for a long time, trying to clear the glare in her eyes. She waited for it to take her on as it has so many nights before. The small, circular, white device on the wall of her apartment hallway had one single red light that blinked constantly. It wasn’t the light that bothered her so much, but rather the drawn-out, high-pitched beeping that it emitted any given moment during the day. The nights were always the worst. The beeps drifted from the circular device and seeped into all the crevices and every inch of space of the apartment. It beeped when she watched television, when she was contorted into mangled yoga positions, and when she had dinner dates. It blared loudest in her bedroom, tapping against her ear drums like a drill.

She was hoping for a quiet evening, an occasional and rare treat that she savored. She protected her ears with swimmers’ ear plugs; the kind that molded to the unique contour of her ear. She slid into bed wearing red and green flannel pajamas and opened a crisp copy of Franz Kafka’s Metamorphosis and Other Stories. After reading the first five sentences, she grew bored and opted for the latest Self magazine. She came across a quiz, “Are You Mentally, Physically, and Spiritually Stable?” and grabbed a pencil, lured in by the prospect of psychoanalysis.

In the midst of her excitement, the beeping started again. It drifted into her room, and crawled into bed with her, under the covers, and traveled to the opening of her ears. There, it burrowed its way through the tightly compacted gel of the ear plugs and resumed its jackhammer-like drills. Her eyes widened in fright, and she clenched her comforter in tightly in a heated frenzy. She threw the covers off of her and bolted from the bed. She went to her closet and grabbed a sneaker. She opened her bedroom door, and saw the circular device, beeping and blinking maniacally. She flexed her bicep muscles and held the shoe with tight tension.

“Shut the fuck up!” she yelled hysterically, as she beat it furiously with the sneaker. It was knocked from the wall and smashed into fragments, electronic pieces that shone like glitter on the bland, beige carpet of her hallway.

It continued to beep. The intensity of the beeping increased, as it was no longer covered by the white circular shield. She screamed at a volume that rivaled the beeping but the humanly yelps were no opponent to the unworldly noises coming from the broken circular device. She went back to her bedroom, searching for a shirt, a blanket, something to muffle the decimated mess on the floor of her hallway. She found an old wool blanket and dropped all the pieces, even the batteries, into it, and wrapped it in a tight bundle. She went to living room, then to her balcony, where the night air seized her, taking her aback from the sudden chilly blast. She looked down the five floors from her balcony to the street below. The city lights twinkled and the cars breezed by unbeknownst to the abject horror she felt in her bloodshot eyes, crinkled hair, and restless rage. She held the package over the side of the balcony, readying to drop the load.

“Goodnight…bitch!” she called out, her breath visible in a long steamy stream, as she released the bundle and allowed it to fall to the concrete.



She had the soundest sleep of her life. A week went by without the beeping circular device and she slept so deeply that she finally felt revitalized. The kinks in her hair ironed out. Her eyes, once sunken and black, were bright and alluring. After a 40-minute yoga session and a breakfast of granola and yogurt, she felt more limber and energized than ever.

There was a knock at the door after she finished washing her dishes. She muttered her recognition to the visitor, and took a moment to dry her hands on a kitchen towel. She approached the door and looked through the peephole to see the stranger. There appeared to be no one at the door.

“Who’s there?” she asked through the wood, perhaps in the off chance the visitor had stood away from the narrow vision of the peephole.

“It’s Tom,” the voice said. He was the apartment manager.

She opened the door cautiously and when she saw the outlines of his brown boots and khakis, she poked her head through the ajar door. He smiled and waved at her.

“Hi Nina,” he said. “I’m not sure why, but I found this on my balcony this morning and I was wondering if it was yours.”

He held out a gray, woolen blanket that wrapped in a tight bundle. Nina’s eyes widened, horrified.

“I opened it. It looks like a fire alarm,” he said, shuffling the balled up blanket from one hand to the next.

She took it from him and unraveled the folds. When it opened, she saw the decimated contents of the circular device—the fire alarm—and then beeping began again. She let it drop to the floor to cover her ears with her palms.

“Turn it off, turn it off! I can’t stand it!” she cried out, panicking. Tom bent down and rummaged through the parts. He found the piece attached to the batteries. It was brown and beginning to rust. He fiddled with a switch and the beeping stopped. Nina pulled her hands away from her ears and looked down at him, heaving out a quick breath of air.

“You know,” Tom said, his face growing with concern. “It’s illegal in this district to disconnect your fire alarm. And you broke yours...”

“You know, Tom. It’s illegal to disturb the peace and quiet of a tenant’s rented property.”

He huffed out a breath of air. “I’ll buy you dinner, and we’ll call it even?”

She smiled. “Sure! And oh, I’m gonna need a new fire alarm…”